Lyrical poetry is one of the most important literary genres in the history of literary criticism. In the history of literature of any land, there are poems that were composed with or to accompany music, and on the other hand, there are simple, emotional and musical poems that have emerged from the heart of the general public and have become the official source of lyrical poems. Influenced by the romantic definition of lyrical poetry, Iranian scholars have often considered this type of poetry as poems that express personal feelings and emotions and the personal "I" of the speaker. In lyrical poetry, romantic themes are presented with a cover of arrays and based on the poet's personal feeling. Poetic images are the result of linking the poet's emotional experiences with the phenomena and events around him. In this literary genre, the structure of poetic images is particularly similar to the definition of image in literary language. This research has tried to recount in a descriptive-analytical way the original manifestations of lyrical literature in Baluchi love poems. Ancient Baluchi poetry is more narrative, and the surviving works are epic and love stories or important historical events that poets have written in short and semi-long poems.

Lullabies are one of the most important songs in public literature of any nation, which have been handed down from past to the present day. In Balochi, these types of songs are called "Lilo" or "Loli". This article examines Lilo in the Balochi language and introduces these popular poetries before analyzing them from two perspectives of structure and content. The author collected the most popular lullabies while introducing such songs, investigating the meter and form, rhyme and rhythm. Then, the most important themes and functions and their connection with social life, religious concepts, life situation and their beliefs have been investigated. The format of all Lilos is "Traditional Balochi" and in terms of meter, they are often prosodic and close to poetical meter. Some of the themes observed in such songs are: Expressing the wishes of a mother for her child, praying, serenity, reducing anxiety, inspiring the happiness and cuddling of the child, fighting against enemy, assimilating child to national heroes, expressing the brand of baby food, a bridegroom with a heavy dowry, hospitality and praying for childless mothers to have children. The method of investigation in this article is field studies and descriptive-analytical method based on sixty lullabies.

A bunch of studies have been published in various formats of books and papers about Hafiz status and art in the field of Persian literature. Due to the large amount and the continuous process of such studies and in order to recognize their strengths and weaknesses, it is necessary for them to be reviewed especially considering the authors’ pen. The results of such reviews can be applied to address the lacks of this field. This study examines the historical process of Hafiz studies and their subjects as well. Since the beginning of the process (1919) up to 2010 about 2068 studies have been conducted. This study reviews the historical trend of Hafiz studies first in the format of papers, then checks the reasons of their ups and downs due to their quantity and quality. The stories are categorized under five historical periods and eight headings of: description of verses, critical review of books and studies about Hafiz, introduction of various Divan corrections, and the introduction of new versions, character analysis, Hafiz’s life and thoughts, Hafiz and the others, aesthetics (of Hafiz’s poetry). This study shows the rising process of the production of the studies since the beginning up to the third historical period due to the holding of two Hafiz’s memorial conferences. In the fourth period, this process quantitatively falls down but qualitatively rises till the fifth period when both quantity and quality of the papers escalate due to the introduction of new literary topics and the advance of criticisms.

The effect of Romantic outlook of Iranian Contemporary poets has been influential on the type and scope of dealing with mythology. The poets, through mythopoeia and mythoclasting have promoted the revolutionary and evolutionary spirit of the people. This paper, following the method of content analysis, studies the mythological interests of Ahmad Shāmloo, and concludes that shāmloo evolves the original versions of myths, and even introduces some myths of his own, in order to make a better use of their social capacities. Shāmloo’s reforms can be justified by the features of Romanticism which in its turn is a good explanation of some aspects of his poems.

Here we mean by romantic school and its features as an introverted lyric school which opposed to the basics classicism. Having their social frustrations and observing disorders, Romantics expressed their feelings freely and lamented oppositely. Ibn al-Rumi's poetry was the most similar manner to the romantic school in the old Arabic poetry. Based on Descriptive-Analytic method, importance of this ongoing study lies in exploring direct dependency of contemporary literary taproots on Arabic classic Literature and demonstrates that in spite of its modern nomination, Romanticism is not a new phenomenon and its features are rooted in Arabic classic literature. This article is a new light on the Arabic poetry heritage which if you are tracings some characteristics of the Romantic Movement, you can find it as a lyric – romantic literature. The research also for example shows that lbn al-Rumi's social conditions namely saying loss of love and to get rid of social offences are similar to that of Romanticism. Some other findings in this research shows Romantic characteristics in the poetry of lbn al-Rumi are refuge to the nature, living in it, expressing the concerns and sorrows, loneliness in Ibn al-Rumi's poetry was a reflection of poet's hatred of people in his societies and retirement. This aspect is the main poetic characteristics that are counterparts of the basics of romantic's school. Moreover this research also puts stress on necessity of new readings in Arabic classic poetry provided to that these new readings be in a logical trend.

This essay tends to study the way the Romantic poetry of Europe influences the process of origination and development of Modern persian peorty. Contemplation on Nima Youshidges poems, as the founder of Modem persian poetry, and thoese of other modernists after Nima indicates that the Romantic poetry of Europe imparted a profound effect on different aspects of this era of Persian poetry. The changes considered neccessary by Hugo, de Musset, Gautier and other Romantics of France, Neoclassic poetry so that they could release poetry from torpor of content, form and language, were the same to be utilized by Nima and then to be of Europoean Romantic poetry in the versified works of Nima, Tavallali, Farrokhzad, Naderpour and Akhavan shows the profound effect the European Romantic poetry has exurted on the origination and development of Modern persian poetry.

Song is a general term that refers to a variety of melodic or accompanying forms of poetry, especially Fahlaviyat, quatrains, Rubaiat, and Tasnif. Local poetry contains some types like Garayeli in Azarbaijan, Goorani in Kordestan and Kermanshah, Sharbeh in South, Sharafshahi in Gilan, Sekheshti in Qoochan and Deyhoo in Bashagard which in this paper some samples of them are presented. In this article, the themes of love songs have been studied and classified in a descriptive-analytical research method. The statistical society is also scattered books of native songs and recorded works of music of Iranian singers. The language of the native songs is simple and slang and since they are related to the work and effort of simple people, they pay less attention to images. Most of these songs are accompanied by musical instruments. The conclusions show that the songwriters bring a variety of themes, such as complaining about getting away of sweet heart, the difficulty of the path of love, the opposition of the elders in the union of two beloveds, Kissing, loyalty, describing the beauty of the beloved, seeking attention and wishing to join, seek to show the themes of "presence next to beloved" with the sub-layers of desire or its permanence and "complaining of separation and embarrassment" with the sub-layers of desire or its permanence and "complaining of separation and embarrassment" with the sub-layers of fear of it happening and praying for its elimination.

Song is a general term that refers to a variety of melodic or accompanying forms of poetry, especially Fahlaviyat, quatrains, Rubaiat, and Tasnif. Local poetry contains some types like Garayeli in Azarbaijan, Goorani in Kordestan and Kermanshah, Sharbeh in South, Sharafshahi in Gilan, Sekheshti in Qoochan and Deyhoo in Bashagard which in this paper some samples of them are presented. In this article, the themes of love songs have been studied and classified in a descriptive-analytical research method. The statistical society is also scattered books of native songs and recorded works of music of Iranian singers. The language of the native songs is simple and slang and since they are related to the work and effort of simple people, they pay less attention to images. Most of these songs are accompanied by musical instruments. The conclusions show that the songwriters bring a variety of themes, such as complaining about getting away of sweet heart, the difficulty of the path of love, the opposition of the elders in the union of two beloveds, Kissing, loyalty, describing the beauty of the beloved, seeking attention and wishing to join, seek to show the themes of "presence next to beloved" with the sub-layers of desire or its permanence and "complaining of separation and embarrassment" with the sub-layers of desire or its permanence and "complaining of separation and embarrassment" with the sub-layers of fear of it happening and praying for its elimination.

Critical review of bourgeois, clarification of the different aspects of personality, structure of dreams and spriritual development in modern world are the focal themes in the works of Hesse who is considered a symbol of young generation in the 1920’s and later in Germany. One may add to the above list his loyalty to the developmental style of Gute, Romantism of nineteenth century and social sciences, particularly the founder of psychoanalysis, C.G. Jung. We are not going to review the impact of aesthetic and philosophical thought of nineteenth century on Hesse’s creativity. It is intended to refer to the above themes and find out how Hesse infers love which is a main focus in his works. Indeed and with the help of the different aspects of love, which is present in his works, this paper tries to show that in his works, the presence or absence of love is the main theme that farms the pace of narration and love is the pivot around which the spiritual transformation of Demian and Siddharta occurs.

In this article, the writer, referring to the gradual change in content and from of the Persian poetry in the early decades of the 20th century, investigates the rise and changes of romantic poetry in Iran as a new movement in poetry. He first describes the political-cultural background of this movement, and then he refers to the influence of the romantic poetry of France and the modem poetry of the Ottoman Turkey on this movement. Finally, touching on the main characteristics of the Persian romantic poetry, the writer traces its changes from the beginning of the 20th century to the end of the century.